The Mo-Verb MicroPlug employs the same processing technique like the original Transient Designer. SPL’s Differential Envelope Technology has revolutionized dynamic processing with a level-independent method.

Applications:
The following examples are given as suggestions and examples. The described procedures with specific instruments can of course be transferred to others which are not mentioned here.

• Drums & Percussions:
  Adjust the apparent “distance” of the microphone by simply varying REVERB-ENHANCEMENT values. If your drums happen to sound as if the room mics have been placed in a shoe closet, the Mo-Verb can immediately turn that sound into the ambience of an empty warehouse. Slowly increase REVERB-ENHANCEMENT values to bring up the room tone. For a solid and driving rhythm track just fine-tune the settings to make sure that the room mic envelope ends more or less exactly on the desired upbeat or downbeat.

• Guitars:
  Increase distortion with a sustain period. If you want to create soaring guitar solos that would make even David Gilmour blush, just crank up the REVERB-ENHANCEMENT control to the max and there you go.On acoustic guitar tracks you can emphasize the room sound by turning up REVERB-ENHANCEMENT.

• Backings:
  A common problem especially with tracks that are recorded and mixed in different studios: Backings lack of ambience, and finding a reverb that “matches” takes time ... so simply emphasize the original ambience by turning up the REVERB-ENHANCEMENT control.

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